Showing posts with label Newsworthy. Show all posts
Showing posts with label Newsworthy. Show all posts

October 24, 2013

Four Things I Learned About Veronica Roth After Reading Allegiant

After reading Allegiant, here are four (get it?) things I've learned about Veronica Roth. 


*NO SPOILERS*


1) Veronica Roth is brave, incredibly so. To end a series is an impossible task, because even though the books have been written the characters find a way to live on in our minds. For an author, a series never really ends. The story might end, but there are always new readers, new thoughts, and random scenes that appear in your mind. Ending a series is brave.


2) She knows her characters and is not afraid to show their faults. She is not afraid to tell the story of a girl who is both strong and weak. She is not afraid to tell the story of a boy who is both strong and weak. And I think that is amazing. Men and women, we are all everything at once. We are not just one thing, strong or weak. These are brave things to feature because readers tend to look at (some) flaws negatively - especially when it comes to ideas about sexism and gender equality. This is why I will always love Tris and Tobias - because they are everything at once, as it is. I've found more comments from readers of Allegiant that the ending "blew" because Four appeared weak. And if you've read the ending, you'll know (hopefully) why comments like this are ridiculous. Fear, tears, sadness, love, hope, and loss are never signs of weakness no matter who wears them. Boys will not be boys and girls will not be girls, at least not in this series - and that is something wonderful.

3) Veronica Roth is brave because of that ending. Because it made sense. Because it was vivid and real and raw. And because the ending stayed true to the characters. More importantly, knowing how readers would react makes Roth an even braver soul than most. She knew. For the most part, authors and publishers and agents and editors always do. Knowing that and still writing something because it has to be written is brave. 

4) Veronica Roth is brave. The end.


And in the end, I don't know if this was the ending I was hoping for, but it surely was the ending I needed. The one that was meant to be. The one that should have happened. And the one that, no matter what, will teach us to live freely and move forward and, like Tobias says, "mend each other."

May 23, 2013

More Book Poetry

If I stay
where you are,
don't let me go
before I fall
endlessly.

The space between
what I didn't say-
forever
hidden
where things come back
fallen in love.


May 22, 2013

Mythology: The Wicked by Helen Boswell




Book two of the MYTHOLOGY series by Helen Boswell 
IS COMING…

In MYTHOLOGY, readers are introduced to Hope and Micah. Book two belongs to the good bad boy who will capture your heart all over again:

Micah



MYTHOLOGY: THE WICKED
Book description

"A demon with a pure heart, Micah Condie lives his life by a code of ethics, but breaking that code may be the only way for him to survive. A supernatural entity in her own right, Hope Gentry would do anything in her power to protect her loved ones, but she may be the one who puts them in peril.

When the Demon Impiorum challenges the laws that keep guardians and demons in balance, ancient enforcers of justice intervene. Micah, Hope, and their mentor Jonathan become entangled in a conspiracy that will test even the deepest love and trust.

Someone will commit an act of betrayal. Someone will forever abandon a loved one.

Someone will enter The Wicked."




Add MYTHOLOGY: THE WICKED to Goodreads today!

Want to get to know Micah?
Follow Micah on Twitter.

Want to meet Micah and Hope before THE WICKED comes out late summer? (You really should!)

MYTHOLOGY on Amazon:  ebook/paperback
MYTHOLOGY at Barnes and Noble:  ebook/paperback
MYTHOLOGY on iTunes: ebook
MYTHOLOGY on Kobo: ebook


A message from the author, Helen Boswell:

I think every kid is gifted in some way. For me, I was a complete bookworm, and I will always be thankful for my mother allowing me to read at the kitchen table during mealtimes. Reading naturally led to writing by the time I was eight or nine – I started with fantasy stories, dabbled with writing a bit of romance, and finally published my urban fantasy MYTHOLOGY in 2012. I've lived in several places throughout the U.S., including upstate New York (the setting of my novel), and steadily moved out west. I currently live in Utah with my husband and two young sons and spend my time teaching, writing, and playing. I wouldn't trade my life for anything. J


May 18, 2013

On The Greatness of Gatsby (The Movie)




The Good: I'm not sure why so many critics and readers have been so apprehensive about another adaptation of The Great Gatsby, especially with such a talented team attached to it. The acting in this film is, as expected, incredible. There has never, ever been a better Gatsby or a more beautiful "fool" of a Daisy. In all honesty, the acting was the best part of the film. That, and the script that seemed to be an extension of the book itself - with lines literally coloring the screen. Those worried about the faithfulness of the film to the novel should rest easy, because while the coloring of the film may seem a bit different than what we're used to, even Baz Luhrmann's art direction stays true to the definition of the Roaring Twenties. In fact, Luhrmann's crew spent quite a bit of time researching buildings and inspiration pieces that Fitzgerald himself would have seen. The sets are equally fantastic and true.

EDIT: I've read a few reviews that claim the movie ignores the "heart" of the novel, and I completely disagree. One look at (2013) Gatsby and Daisy together and I wonder how anyone could question the complicated love they have for each other. If anything, this movie lives from the hearts of its actors.

Don't be afraid of something just because it looks a bit different, people. Look beneath the surface.

The Bad: Okay. Not so much bad, because I really did enjoy Gatsby. Still, I wish there would have been a stronger focus on art direction. Yes, I said it. With the film already being directed by Luhrmann, I was prepared for a Moulin Rouge-type spectacular show. And I got it. Sometimes. Sometimes, however, the madness of the Roaring Twenties just looked like a fun costume party. Which, actually, I guess it probably was.


Specifically, the party scenes came off as lacking (see above), with some of the decorations looking like they escaped from a Party City Sweet Sixteen party instead of a million dollar Gatsby party. Luhrmann decided to focus more on story rather than stay more than a few seconds on the jazz performers. For that he should be proud, because it surely pleased critics and stubborn readers. Those jazz scenes, however, are the places in the film where I wanted more. And while the art direction of the film was still incredibly beautiful, nothing compared to shots like this:


Or when we first meet Daisy. When she is giggling in a room filled with white curtains. That scene is pure movie magic, as though the book were living and breathing on screen. I wanted more like that. And while it's clear this is a more serious Luhrmann piece, though it does have a lot of comedic moments, some of the film felt uneven.

Like the soundtrack. Jay-Z's attempt was ambitious yet lacking (movie soundtrack vs. album soundtrack). Possibly the oddest part of the film's soundtrack was when "Crazy in Love" began to play during an already comedic (and romantic) scene between Gatsby and Daisy. Most of the soundtrack (except for the gorgeous and completely appropriate "Young and Beautiful") just felt off. There were beautiful moments when jazz met art and the Roaring Twenties came to life on screen - and a lot of those happened when the soundtrack was completely modern and filled with R&B beats and style - but a few times it just felt oddly flat. Especially after the beauty of the trailer. 


Still, this movie is beautiful and filled with accurate imagery that is also seen in the novel. Daisy always wears white. The green light becomes not only a metaphor for love, but life and the American Dream. The iconic Gatsby is stripped away layer by layer. And even Nick, the narrator of the story, is shown in the film as being lost to this incredibly intoxicating world of jazz and love and alcohol. 

Beautiful. 



May 9, 2013

The Importance of World Building

Once upon a time, I wrote THIS post discussing world building in Light of the Moon. And then THIS post, which appeared on Smash Attack Read's wonderful blog (go check it out). The main idea in both of those articles was that world building should be a quiet whisper of what is actually happening in the story. Mainly, we should see the world through the character's eyes. I still think the "show rather than tell" approach is a great way to go, but I can't help but think there is so much more to world building than that.

I'm a firm believer that certain literary things have greater impacts if they are done quietly. Certain topics are better felt than lectured upon (see THIS post about diversity in Marie Lu's Legend). Certain elements of diversity are better understood through action rather than instruction. The point of this whispered theory is this: A reader will feel more, understand more, and be involved more if a character is taken on an emotional journey rather than simply placed in the middle of the action. For me, this is very true. I connect more with characters who grow and develop through the story. I understand more if they show instead of tell.

I think this approach can also be said in reference to world building.

Once upon a time I said this: "For me, world building is about creating characters that are able to show things about your worlds you cannot."

Now I say this: The world you create should be as alive as your characters. It should live and breathe and be a character itself. 

The world should be detailed, real. Through the character's eyes, the world should come alive because it already IS alive. And we should see that as readers. We should feel the impact of the world instead of read a lecture about it. World building is incredibly important. It can make or break a novel. World building is a character. What do you think?

Of course, there are exceptions to every rules, especially when it comes to writing.

Go break some.

April 27, 2013

Signing!

If you're in the area, I'll be signing books at Schuler Books in Okemos, Michigan today from 2-3PM. Stop by and say hello! 


March 27, 2013

Diversity Through Many Eyes

This is me.



Average height.
Average weight.
Average hipster glasses.
Nerd alert.

And yet, because of who I am and what I look like, there are things in this world I will never understand completely. I do, however, understand what it’s like to feel human. We all do. I understand what it feels like to be an outsider. To be different. We are all different, each and every one of us, but it’s through these differences that we are most alike. No matter the color of our skin or our hipster glasses, we all have the ability to see. See difference. See life. See truth. And, most importantly, see beyond what we can see on the surface of things. See beyond the scars we all have. See beyond color and culture, and embrace these differences as parts of the diverse world we live in. Because as different as we all may seem, we all fit. 

“Imagine if, no matter how many books you read, you couldn’t find any main characters that you could see yourself in. Think of how alone you’d feel. Maybe you’d start to feel like something was wrong with you. Shameful. Or maybe you’d just feel not seen. Not having yourself represented in books is like being invisible. It’s like people are saying you don’t matter, you’re not good enough to appear in a book. I think it’s important that we all have reflections of ourselves in books. And including many diverse characters, not just straight, white, able-bodied characters, is a more complete representation of our real world. I also think that if we have diversity in YA novels, if we normalize it (as I believe we should), it may eventually help some readers to be less homophobic, less racist, more accepting of many different people–all without preaching, just because they read books they love with characters who aren’t like them,” said Cheryl Rainfield, author of Scars

We all know what it’s like to feel human, and what it’s like to simply not

“Ironically, “diversity” is such a diverse term in itself, and most of the time is expressed in a negative light. Anything or anyone different sends up that little, nagging red flag in the back of our heads. Different is dangerous. Original is ostentatious and odd. I've dealt with the issue of diversity my whole life, for religious reasons, and it doesn't seem to be going away. As the human family, a species that’s made up of all the same stuff, we need to learn the language of oneness. When we do that, we’ll be able to experience benefits, not as separate “groups,” but as a species. If two sides think they are right and the other is wrong, perhaps they’re missing what’s going on in between. When we put aside and look passed the differences of others, we can find what truly is right for us as a whole. Don’t think, how are we different? Think, how are we the same?” said Gale Ryan, author of Unspeakable

Our differences do not have to define us, segregate us, or exile us. And yet it’s okay to understand these differences. Diversity does not mean that difference is gone. In fact, diversity is all about being different. It’s how we treat these differences that’s important. With respect. With equality in mind. With understanding, curiousty, and respect. 

“I had never known what it was like to be a minority until I lived in Japan. Suddenly, just by the color my hair, eyes, and skin, I was an outsider. No matter where I went, I stuck out. And it's not to say that the Japanese people were unkind about this, but they couldn't help but treat me differently. Japanese people often give foreigners a polite distance. And even when they don't, you can't help but be acutely aware how different you are. Also, not all Japanese act like this. I'm not trying to stereotype, but to say that this opinion is prevalent. Some of these are struggles I hoped to tackle in INK. My MC, Katie, moves to Japan from America and faces these kind of hurdles along the way. Experiencing it myself made me see for the first time from a minority perspective.The thing is, we have more in common than we have that is different. That's what Katie finds in INK. And that's what I've found in Japan. Being different in Japan has helped me appreciate what we have in common, and that's what we need to hold on to in our novels. Find the common ground, and don't let the story be about differences of culture, gender, language, sexual orientation, or anything else. These are details, not characters. It's so important to make sure everyone feels included, and no one feels stared at,” said Amanda Sun, author of INK

Here I am, a white male, and yet I think I can understand a little of what it’s like to be a different shade of male because I have other differences all my own. And it is through these differences that we can, if we choose to, see how much we are all alike. Picture what it's like to walk in someone else's shoes. Visualize what it might be like to look like someone else. Because the truth is this: It is possible to see the world through someone else’s eyes, to include everyone by remembering your own struggles. 

“It is only natural for us to take in visual information about people and to recognize and use that information; as an evolutionary adaptation, we use physical differences to tell apart our friends, relatives, and allies from those who are unfamiliar to us. But the noticing of differences should not translate to judgment or discrimination in this day and age. So in my mind, this is a sharp and proverbial double-edged sword: categorizing and stereotyping is dismissive of those truly unique things about each person. I am not "unique" because of the fact that I am the only female Asian-American professor in my department -- I am unique because of the person that I am. However, without people taking the opportunity to actively seek out others who outwardly appear different than themselves, no one would ever know that. So my advice to all is to seek out others, regardless of what what exterior you see,” said Helen Boswell, author of Mythology

Diversity is about seeing everyone; it’s not black or white. 
Equality is about believing in everyone; it’s not gay or straight. 

“I grew up gay in an Appalachian coal town before any semblance of gay life had been introduced to us on a regular basis. We’re talking pre-Will & Grace and pre-Ellen here. Everyone’s notions about gay people were based largely on stereotype. It made for a tough adolescence, trying to reconcile my sexuality with what I thought was socially and religiously “normal.” But a funny thing happened. Once I began to accept myself and be open about it, the level of compassion I saw from the people important to me was overwhelming. It taught me the power of exposure in increasing understanding. Exposure to diversity can lead to fundamental change, and I think it’s happening right before us in the gay community. It’s that awareness that’s helping us reach a greater sense of understanding. Look at Senator Portman of Ohio and his reversal on the gay marriage issue because of his son. I mean, who’s left in society that doesn’t have a gay person in their life in some way? Nobody. I often get told I don’t seem like a product of the region in which I was raised. While I’m very proud of my upbringing, I secretly take it as a compliment. I wasn’t raised in a place known for embracing diversity, but my own struggles have opened my eyes to the need to do just that, be it race, sexuality, culture or religion. And those struggles have helped my family and friends in that little coal town do the same thing,” said Matthew Aaron Browning, author of the forthcoming novel, Straightville, U.S.A

In so many ways, hate comes down to fear. Fear of the unknown. Fear of others. Fear of what we see, and what we don’t. Fear of what is missing. Fear of difference. But when we fear, when we let these aspects of diversity scare us, we are only harming ourselves. 

“I was raised to believe that I was better than other kids by virtue of the fact that my dad was a doctor, the only one, in fact, in our small Texas town. But when I was twelve and at my most awkward preteen stage—gangly, bespectacled, and plagued by skin problems—that illusion was shattered. My school integrated, racial tensions flared, riots broke out, and without warning, my siblings and I were withdrawn from school and moved to another district where no one knew us or cared who my dad was. For the next five months I spent my evenings in a cramped camper in my grandparents’ backyard and my days in a school with strange and unfriendly faces. I endured daily harassment, name calling, disdain—the biting sting of being an outsider. My identity and my security had been shattered. I would take years to find myself again. In many ways, those five months made me who I am today. For I understand in my deepest heart of hearts that true worth comes not from our family tree or our circumstances or how we look or who we love, but from who we are inside. It’s a theme I’m compelled to explore again and again in my writing,” said J.H. Trumble, author of Don’t Let Me Go and Where You Are.  

The truth is that when we fear difference, or don’t accept it, we are only fearing ourselves. Because you and me? We are different. No one is exactly the same so no one deserves to get hurt for being unlike you. 

“I was an overweight kid and dealt with a great deal of taunting/teasing and general nastiness from people of all ages, especially within my own age group. In some ways in made me a much more caring person in the sense that I knew how awful it felt to be the brunt of someone's joke or looked upon with disgust. I never wanted to have anyone else experience those same feelings at my expense. As a man who also happens to be gay, I am well aware of how much harm bigotry and hatred cause to any segment of society and how much they can hurt an individual. I am a much stronger person now that I have learned to properly separate the rhetoric of hate-spewers from the opinions of the people I love and care about. Understanding that the people who hate truly only hate themselves (even though most wouldn't be able to understand this concept) makes me better appreciate the love and support of the people that stand up and refuse to let the voice of hatred ever overtake the power of love,” said Ross McCoubrey, author of One Boy’s Shadow

Minority is a label that claims a group of people to be less than. Less than what? Who? In reality, aren’t we all a part of some minority? And so, isn’t it right to say that the idea of change should come from everyone, instead of only those people who claim to be in the majority? And if we all, on some level, are part of a minority or a majority, doesn't that mean those labels are meaningless? This is our world, our change, our way of life, and yet there is room in it for everyone no matter what they look like. No matter what we look like, we all have something great to offer. All of us, together. We, however, need to see this. Diversity is already here. We just need to accept it.

“Who am I? I'm a Korean American and like so many other people of Asian descent living outside their motherlands, we are seen as the voiceless minority. How many times in my life have I heard someone yell out at me "Why don't you go back home to China, Japan or Vietnam, where you belong?" Why can't they understand that we are home? Ask a Korean American who has gone to visit Korea and ask them if they felt at home? How could they? They face a different type of discrimination. The kind that says you may look Asian but you can't speak the language and you can't really understand our culture. It's so hard to understand that this place I call home and that I’m so proud of, doesn’t necessarily share its pride and pleasure of having the world's most diverse community of different races and cultures. You won't see a lot of minorities gracing the covers of books, magazines or major movies. Not that there isn't any, just not a lot. And then there's the fact that there has been a history of whitewashing in publishing and in theater that continues to this very day. The question I can't help but ask is why? We are already the minority. Why marginalize us even more? And it always comes down to this. We people of color can't sell books or movies. But the thing is, do they even try? Or do they throw one token POC cover out there, give it barely any support, see that it doesn't do well, and call it a day. Change happens when we make what was once so different the norm. Representing diversity is especially important for publishers of children's books. Books are the gateways for the imagination. When we promote only a homogeneous view of society in our literature and our media and deem books or movies about minorities as unsuccessful, it harms everyone. But worse, we fail in our duty to educate and inspire the minds of the future generations,” said Ellen Oh, author of Prophecy.   

Diversity is about everyone. So is change and acceptance. So is learning from difference. So is making a difference. And just know that there are people fighting for you, for a better world. For love and peace. For equality and acceptance. For everyone. 

“No matter where we come from or the experiences we endure, at the end of the day, we all have blood running through our veins. It doesn't matter if we are human or animal, if we are Asian or American, if we are young or old. We are all the same, yet so beautifully unique. It's our happiness, our pride, our accomplishments, our passions that differentiate us. Not race, gender, or age. And that my friend is what makes the world a beautiful place to live,” said Priya Kanaparti, author of Dracian Legacy.  






Look beyond what you can't find in our words here. 

Look beyond what you don't see in our pictures. 

Look at what really matters. 

If we look at ourselves and look at our own struggles, maybe we do have the ability to see the struggles of others. Maybe, just maybe, we’re all not as different as we think. Or maybe we are different. And maybe that’s incredible. 

Maybe our differences are what make us so alike.


What do you think?

March 22, 2013

Guest Post by Christopher Waltz: “Out of the Closet and into the Pages: Gay Characters in YA Literature”


Guest Post: “Out of the Closet and into the Pages: Gay Characters in YA Literature” 
by Christopher Waltz 

"When David James asked me to write a guest blog post about diversity in YA lit, not only was I excited and honored, but it also got me thinking. I did internet research, dug through my own collection of Young Adult novels (which is pretty hefty), and had discussions with groups of my friends and fellow writers. We all ended up with the same question: Where are all the gay characters in YA lit? Fans of Young Adult fiction read these stories and witness the inevitable, blossoming love between the main characters. Katniss must choose between Peeta and Gail in The Hunger Games. Bella must choose between Edward and Jacob in The Twilight Saga. Vlad must choose between Meredith and Snow in the lesser-known, but still amazing The Chronicles of Vladimir Tod. We hardly (if ever) see characters dating or even acknowledging feelings for other characters of the same sex. Katniss doesn’t unexpectedly fall for Glimmer, the District One tribute. Bella doesn’t start having feelings for one of the female Cullens, such as Alice. Vlad doesn’t wrestle with emotions involving his sworn enemy, Joss the vampire slayer. But why not? One of the many answer to this question, unfortunately, is because it makes people uncomfortable. Over the past few days, I’ve read several articles, from blog posts, to pieces in The New York Times claiming gay characters in YA lit simply just aren’t wanted, and generally make people feel “weird.” Some of these articles even chronicle real-life experiences of authors trying to get their work published, only to be rejected for having gay characters, or at the least, asked to “straighten them out” to reach a broader span of readers. The only thing I could find myself thinking as I read these stories was “What a load of bull!” In fact, I’m still trying to wrap my head around how making all the characters the same (i.e. straight) opens the story up to more readers. In my apparently skewed opinion, having a wider range of characters, with varying sexualities, would inevitably open the story up to a wider audience. And then it hit me. Having gay characters in stories, writing gay characters into stories; it can be tough. Members of the gay community, like most other minorities (and even some majorities) face certain unfavorable stereotypes. One struggle, I would assume, for many authors, is how to organically insert a proud, realistic gay character into their story without creating a “I’m here! I’m queer!” character parading about during the apocalypse. This was something I particularly faced while writing Ivy League. I knew one of my two main characters, Gabe, was gay, I just didn’t know how to say it. I drafted out ideas, considered dropping subtle hints, and came up with countless ways for my readers to know his sexuality without making it the main point of the novel. By the time I’d finished writing, editing, and was getting ready to publish, there was really nothing in the story solidifying Gabe’s sexuality: he was just a normal guy. But that was it. That was what I had been searching for the whole time. Gabe was just a normal guy… who happens to be gay. He didn’t need a huge coming out party. He didn’t need to remind other characters of his sexuality every chapter; it was just a part of who he was. In the end, it may be a long time before we begin seeing Young Adult bestsellers with openly gay characters that haven’t been “straightened out” by the publishers and editors, but like recent events in real life, I feel like big changes are coming, and hopefully one of those changes is acceptance."






Christopher Waltz was born in Indiana in 1987 and promptly began writing once leaving the womb. While this is a complete lie, Christopher did begin writing around age eight at which point he penned and illustrated a sequel to the film "Jumanji." Since that time, Christopher has continued writing and obtained a degree in secondary education from Indiana University's School of Education. He currently works with a non-profit organization and writes. His novel, Ivy League, was recently published.

January 15, 2013

Cover Reveal: The Forgotten Ones by Laura Howard


Title: The Forgotten Ones

Author: Laura Howard

Genre: NA Paranormal Fantasy Romance

Expected release date: May 15, 2013

Age Group: New Adult

Cover Designer: Stephanie Mooney 




Book Description:

Allison O'Malley just graduated from college. Her life's plan is to get a job and take care of her schizophrenic mother. She doesn't have room for friends or even Ethan, who clearly wants more.

When Allison's long-lost father shows up, he claims he can bring her mother back from the dark place her mind has sent her. He reveals legends of a race of people long forgotten, the Tuatha de Danaan, along with the truth about why he abandoned her mother.







Share on Facebook and/or Twitter and you could win a $50 Amazon (or B&N) Gift card!



January 10, 2013

So there's this article

The university I graduated from, Grand Valley State University, ran a feature on me in their newspaper, The Lanthorn. Aside from the article honestly being very well written, I'm a little biased because I used to work at the paper once upon a time as a staff writer and as part of the editing team. I can't tell you how honored I am to be featured in The Lanthorn. Check it out HERE!

http://www.lanthorn.com


January 3, 2013

Cover Lust for 2013

Here are a few books that, based on their covers, I can't wait to hold! For different reasons, I love all these covers, and I appreciate the fact that many of them have very different elements. I appreciate the fact that, like recent YA writing, the covers for a lot of YA books have become focused on the details instead of the "black background" WOW factor - and in doing so the artists have created a different, better kind of WOW. In the storm of YA covers, these 2013 ones have caught my eye.

 




December 20, 2012

Cover/Novella News for Author Heather Self

The awesome Heather Self, author of the One, will soon be releasing A Kin Series novella called the Dark. And I had the chance to interview her! Check this out and its awesome glory:

the Dark (A Kin Series novella)
Official Synopsis: "Mary Anne Moore doesn't know what she is. She can't explain why she has lived so long. Or why she never gets sick. Or why the dreams she has come true. She has hidden herself as a lowly servant to the households of Dublin's English elite for decades, until the night that changes her life. Now her sole purpose is the child she never expected to have. She will do anything in her power to keep the black-eyed monsters from discovering him and turning him into one of them. For Kieran Moore the dark is an ever-present parasite, waiting to devour his humanity. His mother's love and the girl in his dreams has kept it at bay for years, but the more time that passes - the longer he has to wait for her - the more it grows. When tragedy strikes, it is all he can do to keep from being consumed by the darkness that infects him. He must continue to hold on to the hope of peace her presence will bring him, because it's not just his fate on the line, but that of the entire world."
**NOTE** This novella takes place both before, and concurrently with events that happen in the One. It is highly recommended it be read first.


DAVID: Your new novella, the Dark, is a companion to your debut novel, the One. What was your inspiration behind writing both?
HEATHER: Ok. I guess this is confession time. I used to be a pretty big gamer and my favorite NPCs (that's gamer speak for non-player characters) were the dragons. So that's kind of where the current dragon fascination started. As far as the Dark goes, twitter started me on that path. I was having a conversation with a couple blogger friends about who they are shipping and I was advocating for how awesome Kieran is since I knew/know his whole story, and their general response was "But we don't know him very well." This, the novella was conceived.

DAVID: Did you have any songs you listened to on repeat while writing the Dark?
HEATHER: Heehee. Well I have several different writing playlists on spotify. #amwriting has a VERY eclectic variety of songs that I'll put on to leisurely write to. If I need to bang out some major word count I have a list called... wanna guess? Yup. Wordcount. Lots of driving drumbeats in that list. There are two songs that, for me, really speak to Kieran's and Evy's relationship, especially the chorus in each. I'm Not Alright by Sanctus Real and Breathe Into Me by Red. So perfect for them.

DAVID: What things can we expect from the Portal Trilogy after the Dark and the One?
HEATHER: Well, the second book in the Portal Trilogy, the Key, will be out Spring 2013. It has to have a major face lift first, though. Stupid other characters thinking they need to be part of the story! HMPH!

DAVID: Should readers read the Dark before or after the One?
HEATHER: the Dark might be spoilerish if you like to be surprised so I'd recommend reading it after the One.

THANKS HEATHER!



Check out the first book in the Portal Trilogy - the One.



December 18, 2012

BOOK BIRTHDAY: THE WITCH'S CURSE (a Legend of the Dreamer short story)

The Witch's Curse
(a Legend of the Dreamer short story)
IS OUT TODAY!

The Witch's Curse is an e-format prequel short story that takes place before the events in Light of the Moon. The Witch's Curse is an origin story that focuses on the character of Magda, the blood witch in Light of the Moon

Official synopsis: "Before Kate met Calum in Light of the Moon, Magda met Samuel... Magda cannot stop her heart from running rampant with the beating drum of love. Whenever her eyes find Samuel, she can feel the pull of strings so vividly alive against her heart. But for Magda, love goes against fate; her destiny as a witch forbids her to need anything but the dark binds of magic. Soon, the witch's curse begins to call to Magda. To deny her love for Samuel would be unthinkable, but to defy her destiny would be impossible. Before the curse can consume her, Magda must decide between Samuel and destiny, and her heart may beat too savagely for anyone to stop."







The Witch's Curse is the first of three "origin" short stories that will be published in e-format as part of the Legend of the Dreamer series. These short stories will focus on secondary characters and bring a deeper meaning/message to the overall series. The Witch's Curse focuses on Magda, who had an incredible role in the first full length novel, Light of the Moon. The complete Legend of the Dreamer series (with tentative release dates) is as follows:

Light of the Moon (Book 1 - full length novel) published 11/6/12
Click to read the first chapters of Light of the Moon!
The Witch's Curse (Book 1.1 - prequel short story) published 12/18/12
The Warrior's Code (Book 1.2 - prequel short story) to be published March 2013
The Enchanter's Fire (Book 1.3 - short story) to be published May 2013
Shadow of the Sun (Book 2 - full length novel) to be published Fall 2013

**You can read the prequel short stories before or after Light of the Moon because there are no spoilers, but I would strongly strongly suggest you read the series in the order it is published (Meaning, Light of the Moon first, and then read The Witch's Curse after). By reading in publication order you'll have a better understanding of the events in each book. And if you don't have an e-reader, don't worry! There will be a surprise coming around May 2013 that will solve all your problems. Promise!

Get your hands on THE WITCH'S CURSE and find out what happened to Magda to make her destiny so dangerous:


Want a chance to win The Witch's Curse? Enter the giveaway below!

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December 13, 2012

Live Twitter Chat Tonight

Tonight (Thursday 12/13) at 9 PM EST join me and other authors in a live Twitter chat hosted by MundieMoms. The chat will feature myself, Courtney Allison Moulton (Angelfire), Susan Dennard (Something Strange and Deadly), Valerie Kemp (Defy the Dark), and DJ DeSmyter (Hunted). Join us for a night of writing advice, fun talks, and giveaways!


Use the hashtag: #MundieChat
Tonight at 9 PM EST


November 19, 2012

Interview With Helen Boswell (Author of MYTHOLOGY)

Today I have the wonderful opportunity to interview Helen Boswell, author of the YA novel MYTHOLOGY. Boswell, it just so happens, was also the editor for my own novel, LIGHT OF THE MOON. For me, her novel MYTHOLOGY read like a cross between Richelle Mead's Vampire Academy series and Rick Riordan's Percy Jackson series. I loved Boswell's voice and the way she balanced humor and serious moments perfectly. 


Official Synopsis: "Hope Gentry doesn’t believe in Fate. Born with an unusual power to see the dark memories of those around her, Hope just wants to be a normal teenager. But on the first day of her senior year of high school, she finds herself irresistibly drawn to a transfer student named Micah Condie. At first glance, Micah seems like a boy that most girls would dream about. But when Hope's powers allow her to discover Micah's darkest secret, she quickly becomes entangled in the lives of mythical entities she never dreamed existed. Was this her destiny all along? And will her powers help her survive the evil of the Demon Impiorum?"






1) What inspired you to write your first book?
Ever since I was 10, I loved to write short stories. I never completed a novel until MYTHOLOGY, however. I was inspired by one of my own rambling thoughts almost three years ago: What if we don't know truly what we are? What if we search for answers but don't find ones that make us happy -- what would we do with those answers? I became sort of possessed with this idea until I had written MYTHOLOGY.

2) How did you come up with the title of MYTHOLOGY?
The title matches one of the main themes in the book, that of The Fates and whether or not we are tied to our own actions due to things that we are born into, or whether we have ultimate say. Plus, it looks cool and symmetrical on the cover :)

3) Do you have any specific pre-writing rituals?
I'm a mom, so my only real pre-writing ritual is: get the kids to bed, grab myself a snack, grab the laptop, and start typing! 

4) Is there a message in your novel that you want readers to grasp?
There are several, but perhaps the main one is that we all have the potential to be anything that we want to be, and that applies to both ends of the spectrum ("good" versus "evil"). Many things are out of control and set in motion by events that preceded them, but we ultimately all do have a choice in what we make out of our situations. Do the best that you can do given the hand that you're dealt in life.

5) You've talked before about strong characters. How do your characters showcase strengths?
My main character Hope has had some terribly dark experiences that have shadowed her past. Despite this, she is willing to maintain "hope" (no pun intended; she hates that) and take a chance on people. She speaks her mind, acts according to her own directive, and is not afraid to do what she can to help those she cares about. She does struggle with the fact that she is almost constantly privy to everyone's secrets, but she figures out how to filter through these and help when she should.
Micah is morally strong despite being born into a terrible heritage. No more spoilers for that one. :)

6) Are experiences based on someone you know, or events in your own life?
Most of the story's actual events are purely from my imagination. But the story does take place in Buffalo, New York, which was my stomping ground for almost nine years. I wanted an urban fantasy, and the city served as the perfect backdrop for all of its events. 

7) What books/characters have most influenced your writing most?
Cas Lowood from Kendare Blake's ANNA DRESSED IN BLOOD. Not only was the story awesome (a teenage ghost hunter - what more do you need), but Cas had one of the most authentic voices that I have ever read. I really felt like I KNEW him from reading the book through his point of view. I hope that readers will be able to do the same with Hope in mine. 

8) If you had to choose, which writer would you consider a mentor?
Christopher Farnsworth, author of Blood Oath, The President's Vampire, and Red, White, and Blood. We met early on in my writing career due to a mutual friend (my ex-boyfriend from college, if you must know) and he read my very first draft. His suggestions helped me become a better writer. Specifically, he suggested I write my story from first person present (because of the elements of suspense) and suggested upping it a notch in terms of what crazy paranormal abilities my characters could have. After all, this is MY world, right? :)  Will forever be grateful to Chris for these things.

9) Are there any new authors that have grasped your interest?
Well, there is a very promising new author by the name of David James. I think I will just put in a plug for him right now. (Thanks, Helen!)

10) What are your current projects?
The sequel! I'm writing the second book of the MYTHOLOGY series from both Hope and Micah's perspectives in alternating chapters. It should be out by Christmas, 2013. 


11) Do you have any advice for other writers?
Don't be an island. No writer can publish a book single-handedly, and I'm not just talking about agents and publishers. I had so many people help me out with all aspects of writing and publishing, and I try to give back to other writers as much as I can. That's the way it should be.

Thank you, David James, and many congratulations on the release of Light of the Moon! I LOVED IT.



Thanks, Helen!

Helen Boswell earned her Ph.D. in Biological Sciences from the University of Buffalo. She lives in southwest Utah with her husband, two young sons, and dog. MYTHOLOGY is her first novel.

Check out Helen at: